|
No |
Quilter |
Quilters Last Name |
Category |
Quilt Name |
Quilt Size |
Pertinent Information |
Pieced or Appliquéd by |
|
51 |
Carol Cunningham |
Cunningham |
Pictorial |
Time and Seasons - A Millennium Project |
66" x 68" |
The quilt is hand appliquéd and hand pieced. The body is
freehand quilted using various techniques and threads to create texture
and depth. The pattern is by Piece makers "Calendar 2000".
Batting is Hobbs Heirloom. |
Jane Cole |
|
52 |
Ellen Zak Danforth |
Danforth |
Heirloom |
"Time-Span" 4 Patch Square within a Square |
68 1/2" x 81 1/2" |
This quilt was made with a vintage top purchased in
Oklahoma City, vintage 1950's fabrics, purchased in Omaha, were used to
bind and back this quilt. I quilted and finished it in Ft. Collins. |
attributed to Sophie Dorrell, Mt.View, OK. circa 1950 |
|
53 |
Laurie Daniells |
Daniells |
Wall |
Flower Trellis - (1st Wall) |
55" x 55" |
We taught this quilt top as a mystery class at Kats
Cottage, a quilt shop in Alpine, CA. After my convention class with Sandi
Carr, I came home last July and tried her thread painting technique. All
the quilting designs are my original designs. |
Kathie Passarino |
|
54 |
Laurie Daniells |
Daniells |
Heirloom |
Millennium Star |
92" x 92" |
The piecing design was inspired by Quilt in a Day
"Bear in the Woods" pattern. All the feather quilting designs
are my own designs. I used Gammill's Circle-Ease to quilt the feather
wreaths. This quilt is an Opportunity Quilt to benefit my daughter's
Granite Hills High School Honor Choir. |
Laurie Daniells |
|
55 |
Barbara Dau |
Dau |
Wall |
Feathers & Flowers |
39" x 39" |
Trapunto feathers were used in the plain blocks to keep
the theme of this quilt. |
Barbara Dau |
|
56 |
Barbara Dau |
Dau |
Art |
Good Vibrations |
96" x 112" |
Over 25 different colors of rayon thread and several
different techniques were used to enhance the different fabrics that were
used in this very unusual pieced quilt. |
Stan Green |
|
57 |
Patricia Delph |
Delph |
Wall |
From My Window |
35" x 40" |
As I look out my sewing room window working feverishly on
a quilt I am inspired and moved by the beauty of nature in my garden
--this is my garden!! |
Patricia Delph |
|
58 |
Mickey DePlanche' |
DePlanche' |
Miscellaneous |
Angels in the Country |
51" x 72" |
I try to incorporate images in the fabric in my quilting.
I just had to have the angels flying all over this quilt in my stitching. |
Mickey DePlanche' |
|
59 |
Mickey DePlanche' |
DePlanche' |
Heirloom |
Butterfly's |
72" x 90" |
I wanted to add flowers around the butterflies without
drawing attention away from them. I thought framing them with a circle
would do the trick nicely. |
Ella Gertonson |
|
60 |
Linda Mae Diny |
Diny |
Wearable |
Posie Basket Vest |
n/a |
This vest was quilted on the long arm machine and
demonstrates "raw edge appliqué" accomplished on the long arm.
Raw edge flowers are added to the basket for added dimension. |
Linda Mae Diny |
|
61 |
Linda Mae Diny |
Diny |
Theme |
"I Got Married in the 60's" - (Judges Ribbon) |
96" x 110" |
This quilt takes the traditional double wedding ring
design and updates it with 60 degree piecing techniques to eliminate the
curved piecing. It is quilted with free hand feathers utilizing the long
arm quilting machine -- the quilting of tomorrow. |
Linda Mae Diny |
|
62 |
Linda Mae Diny |
Diny |
Heirloom |
Flannel Folk Art Frenzy - (3rd Heirloom), (Most Creative
Use Of Decorative Thread) |
78" x 96" |
This quilt is all flannels. The quilt is crosshatched to
enhance the appliqués. In the plain blocks, additional
"appliqué" designs have been quilted in using decorative
threads. |
Linda Mae Diny |
|
63 |
Evon Duke |
Duke |
Theme |
Happy Birthday Sis |
105" x 116" |
I picked the pattern, my sisters did so many blocks each,
I pieced it together and quilted it. The pattern is an Irish Chain, 80/20
Hobbs batting, thread is 100% Signature. |
Darlene, Charlene, Pat and Shirley (sisters) |
|
64 |
Mary Eddy |
Eddy |
Heirloom |
Old is New |
110" x 110" |
Make a new quilt look like an old quilt by using
reproduction fabrics and a vintage nine patch pattern by Joann Parise of
Springfield, MA (workshop at Shoreline Quilters in Branford, CT.) |
Marcia Drake |
|
65 |
Mary Eddy |
Eddy |
Theme |
Beauty From Brokenness - (IMQA President Ribbon) |
90" x 90" |
2000 pieces of scraps and fabrics from the discarded
shirts of my prodigal ex-spouse celebrate the Lord's power in healing my
broken heart and giving me a new beginning....Joy, in place of despair. |
Charlotte Roach |
|
66 |
Mary L. Edwards |
Edwards |
Theme |
Over the Hill |
58 1/2" x 85" |
Friends took me on a shop hop for my 50th birthday. I
picked up gray's and blacks to make a scrap "Around the Twist"
by Trudie Hughes. The coolest thing was they gave me a surprise party
afterward! |
Mary L. Edwards |
|
67 |
Mary L. Edwards |
Edwards |
Pictorial |
Illusion of Summer |
44" x 42" |
I created the base by dying and 3-D effect by couching
and specialty threads to complete the original design which was inspired
by my husbands landscaping of our backyard. |
Mary L. Edwards |
|
68 |
Barbara Elkins |
Elkins |
Art |
The Angel Quilt |
90" x 105" |
This was a block of the month project. I love angels so
need I say more! Quilter's Dream Cotton, American & Efird thread and
free hand quilting. |
Jan Prober |
|
69 |
Barbara Elkins |
Elkins |
Heirloom |
Oklahoma Sunset - (Teacher Ribbon) |
92" x 92" |
I wanted a quilt with lots of space to quilt. The colors
were chosen after seeing them night after night out my kitchen window.
Hobbs Heirloom and Fairfield Traditional batting, A & E thread,
traditional Amish quilting patterns. |
Barbara Elkins |
|
70 |
Susan Ewing |
Ewing |
Computer Assisted/Stitch Regulated |
Autumn Across the Lake - (2nd Computer Assisted) |
75" x 92" |
This quilt was in my head for several years. I learned
Judy B. Dales "Curves in Motion" technique for the sky and lake
piecing. The quilting expanded my horizons of what I learned from MQS in
past years and in Marilyn Badger's workshop. |
Susan Ewing |
|
71 |
Susan Ewing |
Ewing |
Computer Assisted/Stitch Regulated |
Run Ralph Run |
70" x 80" |
This quilt was made for a bow-hunting friend with no
intention of hunting deer. Chickens are his intended prey. He has some
unresolved issues with poultry from his childhood. Ralph was his pet
chicken. |
Ann Meminger |
|
72 |
Susan Ewing |
Ewing |
Wearable |
Wisteria Garden Suit - (3rd Wearable) |
|
I have always wanted wisteria in my garden but live to
far north. The quilted jacket is airbrushed and then quilted in rayon's
and metallic with Hobbs Thermore. |
Susan Ewing |
|
73 |
Susan Ewing |
Ewing |
Wearable |
Millennium Stars Jacket |
|
The coat from McCall's 2292 was created from Hoffman
Millennium fabric, a Kaufman, a Moda and Fairfield Soft touch Cotton on an
APQS Ultimate I using the Hartley Fence. The quilted stars of Madeira
Metallic Gold echo the stars on the millennium fabric. |
Susan Ewing |
|
74 |
Cindee Ferris |
Ferris |
Wall |
Chicken Swap |
53" x 45" |
These blocks were our block of the month pick for guild
and I won. I turned the cotton candy design the opposite direction to
create the look of feathers. |
Valley of the Mist Quilt Guild (blocks) |
|
75 |
Pat Firestone |
Firestone |
Wall |
Stack N Whack |
50" x 52" |
Bethany Reynolds inspired me with her stack and whack
Kaleidoscope quilts. When I found the fabric it made me think of outer
space, space shuttle came into play. With the help of library books and
the Internet, I designed my patterns. Dream quilters batting and Sulky
thread, cotton /poly thread. |
Pat Firestone |
|
76 |
Pat Firestone |
Firestone |
Overall Design |
Kaleidoscope |
85" x 106" |
Bethany Reynolds Kaleidoscope, Fairfield poly batting,
cotton poly thread, some original patterns, some purchased patterns. |
Pat Firestone |
|
77* |
Theresa L. Fleming |
Fleming |
Pictorial |
The Girl Who Loved Wild Horses |
47" x 55 1/4" |
Quilt is based on the children's book by Paul Goble.
quilting is a Dr. Joyce Mori Native American Design (modified with her
permission). Quilt was in the Rocky Mountain Quilt Museum's 1999 story
quilts exhibit. |
Theresa L. Fleming |
|
78* |
Theresa L. Fleming |
Fleming |
Pictorial |
Entreprenial Cats |
50" x 70" |
Quilt is a whimsical interpretation of the book by Mary
Hessler-Key (see Oct. 1999 book review in Unlimited Possibilities).
quilting is an original copyrighted Quilt-Ligrapity (TM) Design of Dollar
Signs. |
Theresa L. Fleming |
|
79 |
Cathy Franks |
Franks |
Wearable |
The Vest |
n/a |
I wanted something different to wear and to see what the
long arm and I could do. |
Cathy Franks |
|
80 |
Cathy Franks |
Franks |
Art |
Dragons - (Teacher Ribbon) |
59" x 59" |
I wanted to take the long arm to the edge. I used the
'long stitch' to create the dragon, then added embellishments to complete
the look. |
Cathy Franks |
|
81 |
Cathy Franks |
Franks |
Miscellaneous |
Threads |
18" x 20" |
Constructed almost totally of thread, yarns and a few
other things. I used to make stained glass windows, hence, the thread play
window hanging. |
Cathy Franks |
|
82 |
Joyce Fratini |
Fratini |
Computer Assisted/Stitch Regulated |
"Fools Rush In" - (3rd Computer Assisted) |
73" x 73" |
Class taught by Jaynette Huff, paper pieced. Extremely
time consuming, hence the name. Convinced 7 others from Memphis to take
the class with me. Look for sea weed, mermaid, etc. in quilting. |
Joyce Fratini |
|
83
? |
Laura Lee Fritz |
Fritz |
Art |
Valley View |
60" x 72" |
A thread drawing over simple patchwork captures the
simplicity and complexities of Tribal Park Monument Valley. Hand dyed
cotton top, Kelsul Dream poly batt, A & E Maxilock thread. Original
design. |
Laura Lee Fritz |
|
84 |
Laura Lee Fritz |
Fritz |
Wall |
Bird of Paradise |
31" x 38" |
Hand pieced 'birds' of my own design, garden quilted in 4
thread colors for background. Cotton fabric, sandwiched Fairfield Soft
touch and Hobbs Thermore batts, A & E Poly sheen and Signature 100%
cotton; YLI Metallic threads. |
Laura Lee Fritz |
|
85 |
Theresa Frogge |
Frogge |
Theme |
Florida Sun - (Teacher Ribbon) |
64" x 64" |
Contrasting 100% cotton threads were used to bring out
vibrant colors in this "Florida Sun" quilt. Quilt piecer told me
she loves stars and colors and I took it from there. The quilt has Hobbs
80/20 batting. |
Gudrun Lemieux |
|
86 |
Theresa Frogge & Ada Nevels |
Frogge & Nevels |
Heirloom |
Twist & Tumble |
56" x 67" |
Mono filament thread was used in tumbling blocks with a
different technique in the three shades of each block. I felt this gave
the block texture and depth to enhance this 3D illusion. Cotton matching
thread was used in the borders. 80/20 Hobbs batting. |
Ada Nevels |
87 |
Susan F. Geddes |
Geddes |
Art |
Colorado Skies |
83" x 94" |
Arapahoe County Quilt Guilds' 2000 Raffle Quilt, designed
by Terrell using Judy Martin's Skyrocket block (1988), inspired me to push
the envelope with couched metallic yarns used on the hummingbirds, which
are my original designs. |
Terrell Sundermann & ACQ Guild |
|
88 |
Susan F. Geddes |
Geddes |
Art |
Aroma Therapy |
55" x 75" |
My special friend and helper Marty, inspired me to
produce a unique quilt for her sister. I challenged myself to use many
different threads including sliver and holographic. The flowers are my
original designs. |
Marty Mell |
|
89 |
June Gerrard |
Gerrard |
Pictorial |
Up Close and Personal - (3rd Pictorial) |
61" x 61" |
I want the view to feel immersed in the scene, enveloped
by the lush, cool hues. The large scale of this piece and the depth and
richness of the fabrics help to convey this sensation. |
June Gerrard |
|
90 |
June Gerrard |
Gerrard |
Heirloom |
Danish Hearts |
74" x 91" |
The quilting on this piece was inspired by Norah's
request that the hearts be accented by a feathered plume coming out of the
top of each one. That plume forms the basis for the feather design
stitched into the setting and corner triangles. The borders are freehand
feathers with stippling to enhance the texture. |
Norah McMeeking |
|
91 |
Marge Goumas |
Goumas |
Heirloom |
Shaded Nine Patch |
92" x 102: |
Friendship group exchanged blocks and each person was
given 88 pieced blocks to be set in any way desired by quilter. Lyn Mann
is a quilt design, teacher and best known for her mystery quilts. |
Lyn Mann - Friendship Group |
|
92 |
Shirley S. Greenhoe |
Greenhoe |
Overall Design |
Daylight and Dark Stars |
66" x 52" |
Here I played with the continuation of the wonderful
diagonal line created by the log cabin by also splitting the star block
diagonally. Fabrics are the course home spuns by Red Wagon. Thread is A
& E poly wrap poly and the batting is Hobbs Heirloom. |
Shirley S. Greenhoe |
|
93 |
Eunice Grell |
Grell |
Wall |
Paige's Quilt |
40" x 48" |
City Stitcher #2 Bee's Garden Pattern. Heirloom cotton
batting. made for my new granddaughter, Paige's nursery that is stenciled
with bees. The bee border is paper pieced and the other bees are silk
ribbon. |
Eunice Grell |
|
94 |
Eunice Grell |
Grell |
Wearable |
Paige's Christening Dress & Blanket |
n/a |
Dress from left over 70% cotton 30% rayon brocade from
making my daughters wedding dress. Used Linda Taylor's Emily's Gown
pattern. 100% Fairfield cotton batting. Blanket is dress fabric and satin
brocade. Flannel back. Heirloom cotton batting. Cotton Candy pattern by
Norma Sharp. |
Eunice Grell |
|
95 |
Eunice Grell |
Grell |
Heirloom |
My Flower Garden - (Teacher Ribbon) |
85" x 94" |
His and Hers pattern by Vogies. Used the "Hers"
version. Heirloom cotton batting. Pam Clarke's stencils for the interior
and Linda Taylor's palace for the border. 30's reproduction fabrics used. |
Eunice Grell |
|
96 |
Linda Hamson |
Hamson |
Wearable |
Whole Cloth Vest |
n/a |
The design for this vest was drawn on the fabric with
washable crayola markers. It is an original design. Thread A & E
cotton covered poly, batting Hobbs Thermore. |
Linda Hamson |
|
97 |
Patricia M. Harrison |
Harrison |
Art |
Class Picture - Twentieth Century - (Teacher Ribbon) |
82" x 49" |
Posing for the "class" picture are, in Barbara
Barber's opinion, those individuals that positively influenced the 20th
century. Hand - appliquéd people with photo transfer faces dressed in
3-D, embellished clothing of their time and/or occupation. |
Barbara W. Barber |
|
98 |
Randee Hegwood |
Hegwood |
Theme |
Holiday Homecoming |
87" x 87" |
I knew I had to make this quilt the moment I saw it. I
challenged myself to use my stash. The star fabric was perfect for setting
triangles. Pattern from B. H. & G.'s American Patchwork and Quilting,
October 1998. |
Donna Wells |
|
99 |
Jane Hill |
Hill |
Wall |
If the Shoe Fits.... |
38" x 49 1/2" |
The shoe blocks were machine pieced by several friends as
part of a friendship block project. The verse was free motion quilted and
was taken in part from a tee shirt saying with an original finish written
by the quilter. |
Jane Hill & friends |
|
100 |
Jane Hill |
Hill |
Wearable |
Log Cabin Stew and Cotton Candy |
n/a |
The fabric was created in Suzanne McCoy's Log Cabin Stew
class. The blocks are pieced and then "chopped" twice,
reassembled and re-stitched into blocks. The quilting pattern is Cotton
Candy by Norma Sharp. The quilter designed the garment. |
Jane Hill |